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Published: November 22, 2022 (2 weeks ago)
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Vienna Symphonic Library Pro VSL Cube Pro Strings [GigaStudio] Crack !EXCLUSIVE!





 
 
 
 
 
 
 

Vienna Symphonic Library Pro VSL Cube Pro Strings [GigaStudio] Crack

‘hollywood’ and ‘rose parade’ are genuinely brilliant pieces of music. the former has enormous hooks, and the latter has a brilliant drum intro and a poetic lead vocal chorus. in ‘hollywood’ the string parts were recorded on two different microphones and layers were added into the editor, with the top layer being the mic closest to the sound source. because the sound is so loud, and because it has a lot of different instruments playing at different volumes, it was important for me to choose a mic that would be able to pick out the parts above the general background noise. therefore, the centre microphone is a shure sm57, which is a large cardioid condenser mic. it was the best choice for this: no bleed through into the vocal track, but at the same time, no ‘soft’ snap.

the first thing to say about this amazing synthesis library is that it’s not (at first glance) a string library. it’s a library of acoustic string instruments, and one of the first things you notice about them is that they lack the standard string tones found on a classical guitar, the bowed strings of the cello, violin and double bass, and the slapping strings of the drums. instead, it’s an acoustic instrument library, using woodwinds, brass, strings and percussion in a way that few commercial sample libraries have explored. the second thing is that it’s also not a tonal library. it was designed to work with the vsl audio engine (see below for more details on that), and as such its string samples weren’t designed to be used on their own. instead they’re a ‘breathing sound’ that can be shaped to create the timbre of a single note, a wind instrument (trumpet, trombone, clarinet), a string instrument (violin, cello, double bass) or a percussion instrument. this is unlike many other sound libraries in which the tonal characteristics of the strings and (in particular) the wind instruments are quite fixed. if you want a resonant string sound, you can get it. in vsl, the strings or the brass instrument are more likely to define the tonal characteristics of a section than the woodwind, and you can combine any of them with the percussion to get that hybrid, unusual sound.

‘hollywood’ and ‘rose parade’ are genuinely brilliant pieces of music. the former has enormous hooks, and the latter has a brilliant drum intro and a poetic lead vocal chorus. in ‘hollywood’ the string parts were recorded on two different microphones and layers were added into the editor, with the top layer being the mic closest to the sound source. because the sound is so loud, and because it has a lot of different instruments playing at different volumes, it was important for me to choose a mic that would be able to pick out the parts above the general background noise. therefore, the centre microphone is a shure sm57, which is a large cardioid condenser mic. it was the best choice for this: no bleed through into the vocal track, but at the same time, no ‘soft’ snap.
the first thing to say about this amazing synthesis library is that it’s not (at first glance) a string library. it’s a library of acoustic string instruments, and one of the first things you notice about them is that they lack the standard string tones found on a classical guitar, the bowed strings of the cello, violin and double bass, and the slapping strings of the drums. instead, it’s an acoustic instrument library, using woodwinds, brass, strings and percussion in a way that few commercial sample libraries have explored. the second thing is that it’s also not a tonal library. it was designed to work with the vsl audio engine (see below for more details on that), and as such its string samples weren’t designed to be used on their own. instead they’re a ‘breathing sound’ that can be shaped to create the timbre of a single note, a wind instrument (trumpet, trombone, clarinet), a string instrument (violin, cello, double bass) or a percussion instrument. this is unlike many other sound libraries in which the tonal characteristics of the strings and (in particular) the wind instruments are quite fixed. if you want a resonant string sound, you can get it. in vsl, the strings or the brass instrument are more likely to define the tonal characteristics of a section than the woodwind, and you can combine any of them with the percussion to get that hybrid, unusual sound.
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